Off and on over these weeks, the lyrics from Paul Simon's Graceland have been running through my mind.
Particularly:
...losing love
is like a window in your heart
everybody sees you're blown apart
everybody feels the wind blow...
I looked down today and could have sworn I heard the wind howling through a great chasm in my middle.
Yesterday, a newcomer to my story sent me questions after reading my blog. The questions focused on details I generally keep out of reach – even from myself, in some cases. Nevertheless, I mustered concentration and objectivity last night, answered each and every one with honesty...and woke up feeling ripped apart and vulnerable.
In came the gusts of this cold December day.
It took me most of the morning to find my beloved needle and thread and begin to sew myself back together again. Closing up and in; shutting down and out. I was reeling from the realization I'd created an image of myself crawling, fleshless and depleted, through my house on hands and knees. These are the moments only I know about.
I shared, too, the intimacy of eating during my illness, when every bite was sacred to my soul and conducted in perfect solitude. Yet I touched on the brutality of the food itself: how oatmeal choked and rice cakes suffocated. How I couldn't open my mouth to take a bite, but had to force food between my teeth with my fingers. How I tolerated eating by tuning out, and how I couldn't continue if interrupted. How I'd go to restaurants with my neat little stack of tupperware and watch everyone else eat what was set before them without so much as a thought. And how some of these habits continued for years even after my treatment had ended.
My answers also quantified my weight loss and my treatment length. I painted a picture of myself that was neither pretty nor desirable: a skeletal creature who today wears heels and sparkles; a past that was dim, dry, and deadly, compared to a boisterous and confident present.
I awoke this morning to wonder: What does all of this mean to someone who knows only the shiny side of the coin? Will this information tarnish the luster of today?
With each interaction, I continue to question the impact of this process on my life. Will it crush relationships or make them stronger? Will I one day get to the end of the story and wish I'd never told it? Will it somehow reach people fighting this disease and will it help?
The memories that were once mine alone, protected and secure, are now in other people's minds, seeping into their thought processes. My private rituals are now creating pictures and narration, mutating perhaps, in the imaginations of others.
I realized today how much power this story still has over me and how much further I have to travel before I am free. There are still pieces of this puzzle that terrify me with their very existence, and yet the landscape is not complete without them.
In October of 2001, I wrote: "When did this person emerge? She feels unfamiliar, living beneath my skin yet she has made herself more than comfortable. In fact, she feels downright home, nestled in my layers, nudging aside my organs, lazily inhabiting my insides. She is a monster, a beast. Impish, detestable at times." Then frantically underlined twice, "Who is this being?"
And this, nearly two years later: "Fear is what I felt before, when my heart spoke a rapid rhythm, and shook inside my chest. I just don't know what the fuck is going on."
Later that year: "I think I'm still so hungry...I just don't know it anymore."
I can talk about the illness as if I'm watching it play outside on the lawn, with a kind of fondness and distance – a grown-up sense of pride that I've been there before, but have since moved on. Then I open these pages and peer into that world, and my fondness disappears. My familiarity fades until I'm looking at someone I've never met before and want banished from my property immediately.
I did art projects while I was in the hospital. They were intended to be quiet meditations, perhaps reflections, on what we were learning. I see the pictures I colored during those weeks, the patient and diligent strokes of someone who craved distraction.
During group sessions we used art to express ourselves, too. I've held onto a portrait of a woman sitting naked against a gray backdrop, eyes aglow, hair shiny, skin thick with protection.
At one point, I was asked to bring in two pictures of myself – one before the illness, the other during – and draw a path between the two. Inside the path I wrote my thoughts as I progressed from one image to the other. The words leaving my high school senior portrait say, "If my thighs were smaller I would have a perfect body." The words arriving at my sick photo are, "I will not get better. I would rather die."
On another piece of paper I glued over 80 cut-out mouths arranged from closed on the left side to wide open on the right.
At the top of another paper is written, "Who do I want to be?" followed by a list of all the things I didn't think I was: a patient listener, an inspiring writer, a dreamer, a woman who knows herself.
When I see these representations of my illness, and how much work went into each of them, I close the curtains and step away from the window. I don't want to see what's outside anymore.
There are layers here. I can share the surface: skin, hair, eyes. I welcome the pieces just below – my hopes, desires, determination – for their eventual success in bursting forth. The building blocks of my illness, which I've always understood but kept close, are tender yet acknowledged. What lies at the core of it all, however, remains untouched.
In many ways, I am still holding tight to the mountain of my illness. Backlighting its peaks to show their width and height, as I've done here, has been frightening enough. Stepping out in front of the mass and shining a light on its vastness is the work I have yet to do.
I hope, when I arrive at the end of this strange and uncomfortable journey, that the hole I continue to sew shut remains closed forever. And maybe, just maybe, the healing process of someone else begins.
~ Katie